Almost all newsrooms, big and small, have had their operations severely affected by the devastating disruption wrought by the Covid-19 pandemic leading to loss of hundreds of jobs. Worse still, revenue sources for broadcast and print publications have shrunk as businesses collapse.
Hundreds of journalists in Kenya, Tanzania, and Uganda have lost their jobs and those lucky enough to be retained have had to agree to pay cuts.
In Uganda, the Vision Group implemented wage cuts, furloughs, and then finally closed three newspapers in May last year, just two months after suspending printing because of restrictions imposed to curb the spread of coronavirus.
The three newspapers – published in local languages – had served rural readers for decades. One of them, Rupiny, was distributed in northern Uganda, and had been key in reporting the bloody insurgency led by Joseph Kony in the region.
“We are losing the library of local languages. These newspapers were a resource and reference point for learners,” Barbara Kaija, the Vision Group Editor-in-Chief, said.
Revenue sources for broadcast and print publications have shrunk as businesses collapse or got their marketing budgets to respond to the shocks inflicted by the pandemic.
All this is happening at a time when the role of the media to provide accurate, timely, and reliable information is desperately needed, especially with the increasing problem of misinformation and disinformation.
In Kenya, the Editors Guild opted to appeal for a rescue plan for the industry. In a letter to the government the body proposed several ways this could be done including creating a media sustainability fund.
“The government has already committed funds to help the tourism industry which has been hit particularly hard by Covid-19. The same consideration should be extended to the media sector,” the Guild argued in its letter, urging the government to follow the example of some developed countries.
Call for media support
This situation, however, threatens media independence as has happened before; the authorities could withhold advertising to punish or influence editorial decisions.
In Uganda, there hasn’t been a collective push to ask for a rescue plan but some media organisations have independently campaigned for help.
Ms Kaija, for example, appealed to the Ugandan government to support local language papers after the Vision Group ended publication of three vernacular newspapers because they became economically unviable.
In Tanzania, where life has barely been disrupted by the pandemic, the media is facing the same challenges.
But even as the regional media industry gathers itself together to respond to the Covid-induced disruption, many top managers, no doubt, are regretting not being better prepared to deal with the emergency changes that have been forced on the industry.
They had ample time, at least a decade I would say, to build and establish digital operations and/or run lean and efficient legacy businesses after seeing how the media in most developing countries changed, adapted, and succumbed to the digital disruption.
But, it must be noted, that even those that were quick to pivot failed to make the desired impact.
This is largely because the structural changes they made have not been robust, the newsroom culture has not evolved, funding for the new ventures have been inadequate, and the media has not done a good job of engaging and collecting data about its audiences – these lapses show in their operations.
For example, in May last year, Kenyan newspapers announced a partnership with Safaricom, the country’s largest telecoms company, to sell their products on its rich network.
Readers can now buy and subscribe to the papers’ digital versions. It’s strange that it has taken so long for the partnership to happen.
Equally intriguing is the failure of the media to learn from Safaricom, arguably the most innovative company in the region. Its mobile money platform – Mpesa – has been an innovative marvel used by millions of loyal customers. Its success is largely powered by a data-driven strategy.
A visit to the websites of The Nation, Standard and The Star instantly reveals how the papers are trying to play catch up.
They have belatedly intensified their push to connect with their readers, encouraging them to register to access their content.
Had this been done a few years ago it would have been a useful vault to understand audiences and convert returning readers to paying subscribers, rather than using a third-party platform like Safaricom to sell products.
One fascinating story I heard a while back comes to mind.
Safaricom noticed an uptick in the borrowing of short term mobile loans in the early morning hours which the lenders would promptly refund later in the day.
The company later found that the borrowers were vegetable retailers -mostly women – who borrowed money to buy their supplies at the crack of dawn at a Nairobi market. They would later refund the borrowed capital after a day-long sale.
I never followed up on the legacy of this story but I can imagine the fascinating data points Safaricom gleaned and the likely product or services this story inspired.
That’s what good data does, it gives granular insights that can be used to improve services helping to offer relevant products and build brand loyalty. This should be an inspiration for the media but of course within the limits of data protection laws.
Here’s a media example. I have to admit it’s unfair to compare the New York Times’ impressive digital growth to East Africa’s media – nonetheless it’s instructive to learn from the best.
I remember reading the leaked NYT’s Innovation Report in 2014 which exposed an internal crisis, an organisation coming to terms with the reality of its regression and the threats it faced at the time from digital insurgents like BuzzFeed, Gawker, Vox.
But its fortunes changed and remarkably so thanks to its former CEO Mark Thompson, who stepped down last year after eight years. He reflected on the task he faced when he took up the job in an exit interview.
“The biggest flashing red light when I got to the Times was that the rate at which we were gaining digital subscribers was slowing down—and slowing down very abruptly. It was something like 74,000 in my very first quarter, the last quarter of 2012. By the second quarter of 2013, it was 22,000 or 23,000,” he said.
NYT now has close to six million subscribers, who have become the publication’s leading source of revenue.
Mr Thompson said that it took reorganising how NYT operates, building new products, and hiring new talent to come up with a clear unambiguous ‘subscriber first’ strategy.
Can this success be replicated? For some, yes.
But for most the ‘innovation’ will have to involve a complete overhaul, resisting the temptation of a quick fix and simply integrating the next shiny new thing: a mobile app, a podcast, or new website.
But I can’t fault the effort, because things were not rosy before Covid: some of the challenges the media is facing today are not new but have mostly been exposed and exacerbated by the pandemic.
Since business as usual is no longer sustainable, what should the media do?
They should invest in understanding themselves and their rapidly changing markets so that they can adjust, create and sell relevant services and profitable products.
But in this moment of constant flux nothing is guaranteed, some things will work and others will fail and do so spectacularly.
And as if there isn’t enough already to worry about, the threat to practising journalism freely in the East African region casts a long, worrying shadow.
According to an Afrobarometer study released in 2019, Ugandans overwhelmingly support media independence and reject government oversight of media content; Kenya registered 50% pro-media support in this study but 56% of Tanzanians backed the government.
This is a contest the media in the region do not want to lose. The public has to be on their side to effectively push back on the encroaching state control. Yes, even in Tanzania.
So how can the media hold on to public trust?
In my view these questions should be a constant guide: why do we do what we do? Is it valuable? What does the audience think of what we do?
A paywall, an events team, a newsletter, podcast and other emerging audience and revenue strategies are great but people have to trust you first.
Transparency is key; share your processes, be open to criticism, invite questions, listen more. The BBC has a programme suitably named Over To You which does exactly this.
It’s simple. The media cannot and will not solve its revenue problem if it doesn’t fix its trust problem, its very survival depends on it.
So the pandemic, like a mirror, should force the media in the region to look at itself critically and correct what’s not working.
As Form One students settle into a new life in secondary school, this has also been a period of reflection. We have read tear-jerking and heart-warming stories of determined students who overcame many odds to get an education and how well-wishers came together in their aid.
Uganda fell behind, whereas Kenya improved its press freedom ranking in the Reporters Without Borders 2022 Press Freedom Index. And after years of media freedom decline, Tanzania appears to be on the right track. But overall, media freedom activists say there is still work to be done.
A free and independent press is the cornerstone of any democracy and the foundation of economic success, mostly because through our free press, we’re able to hold the leadership to account.
To align with the changing times and stay relevant in the business, media houses are challenged to rethink their strategy and to adopt and understand obstacles and challenges they face towards rethinking and exploring alternative sources of revenue and on developing the digital strategy.
A team of young, Tanzanian tech-savvy communication professionals is dreaming big. It seeks to usher a new dawn in media business management in Tanzania by optimising employee output and offering consultancy to media businesses on how they can operate with a minimal budget but still attain their goals.
Bloggers and influencers have become an integral component of information sourcing across East Africa. The public uses blogs, privately run websites and social networks to crowdsource information from social networks, which they then publish and distribute. But it’s not all rosy for this group of content makers.
The chances of meeting a medical graduate practising journalism are usually very slim, especially in Sub-Saharan Africa. But two Tanzanian physicians have broken away from that norm by inventing a start-up called Afyatoon. It uses visual art technology to tell compelling medical stories. They narrate to the EAST Site their experience and share their vision for the future.
Did you know that in 2021 Kenyans watched less TV and spent more time on social media? Or that some Kenyans rely on family, friends, or even social media icons and bloggers as a source of news and information? These are some of the conclusions highlighted in the 2021 State of the Media Survey conducted by the Media Council of Kenya (MCK).
The effects of the Covid pandemic continue to change the world in ways we had not imagined possible. The media is going through a painful transformation to keep up with changing production, distribution and consumption habits. In East Africa, Uganda’s Media Challenge Initiative (MCI) recently hosted a panel discussion on Media Viability comprising experienced journalists from Television, Radio, Print and Online/Digital media to address lessons learned from the pandemic. East Site’s Moses Mutente attended the panel and compiled this article.
In this commentary, Uganda-based journalist Caleb Okereke shares deep personal insights into why media schools in East Africa must rethink their curriculum. He stresses the need for trainers to begin teaching media ownership to better equip journalism students for the dynamic and cutthroat job market by taking us through his journey as a journalism student and media owner.
For the second year running, a survey commissioned by the Media Council of Kenya shows that the trust level in Kenyan media has nosedived, raising fundamental questions on how media will play its watchdog role more so with landmark elections set for August 9. EAST Site writer Isaac Swila explores.
Legacy media is currently caught between a rock and a hard place — the Covid pandemic and the rise and proliferation of social media has hit revenues hard. Some say this could signal the end of news as we used to know it. However, Ugandan decorated journalist Ernest Bazanye believes the industry will survive and thrive, but not without a fight.
Free media is often described as the fourth estate, the gatekeeper, the whistleblower, and many more. American singer Jim Morrison once said, “whoever controls the media, controls the mind.” No wonder governments worldwide try hard to control the press. But the media itself, particularly in Uganda, faces a severe identity crisis that requires urgent action, writes guest commentator Jimmy Spire Ssentongo.
World over, disinformation is a virus that continues to permeate newsrooms giving media managers and journalists a headache on how to deal with it. Dr. Myriam Redondo, a newsroom trainer in digital verification and associate professor in International Relations (PhD) explains how to tackle the virus in an engagement with EAST Site writer Isaac Swila.
No one sits down to write proposals only to seek money. There’s an idea, a vision, an important goal, the need for impact, and last but not least, the need for change.
According to the World Health Organisation there are between 60-80million people with disabilities in Africa and over 1 billion in the world, many of whom live under deplorable conditions owing to societal myths.
Kenyan voters will go to the polls on August 7, 2022, to elect new leaders. As expected, the media is burning the midnight oil, trying to develop strategies to cover the polls. But how prepared are they?
Tanzania has a massive digital gender gap. As a result, it is unlikely to hear stories about successful Tanzanian women, either in leadership or the media.
Ultimately, HCD is a toolbox containing multiple tools you can pick out, show your team how to use them, and ensure it becomes best practice
Mohammed Hammie is not your typical reporter. In 2019, the young Tanzanian swapped from being a regular journalist to media for community empowerment and has since specialised in telling stories about the human right to access clean drinking water, particularly in rural areas.
According to the MCK Chief Executive Officer, David Omwoyo, journalists eyeing political posts should be subjected to the same rules that apply to civil servants. That is to leave office six months to elections. But that’s not the only requirement.
The theses dwelt on thematic areas in Kenya’s media landscape, from solutions journalism, content analysis of the coverage of Covid-19 as well as data smog in the newsrooms, which the findings show is having a devastating effect on print journalists.
The study calls for solutions to structural, political, and societal conditions that jeopardize the future of media as a viable business and a source of high-quality journalism in East Africa
There is no doubt that the coronavirus pandemic has altered our lives in unimaginable ways. Economies are bleeding. It has disrupted learning; millions have lost their jobs, while many others contend with reduced salaries. Yet, amidst the chaos and disruption, journalists – also hugely affected – have remained steadfast to their cause to tell stories of the pandemic. Some of them narrated their experiences to EAST site’s writer Isaac Swila.
The Covid-19 pandemic and the technological shifts have caused severe consequences to today’s press. However, Prof George Nyabuga says the writing has long been on the wall, yet many chose to bury their heads in the sand like the proverbial ostrich.
Ever since 170 journalists from Kenya’s Standard Group were made redundant in 2020, media experts argue that convergence of business processes in the media industry is an inevitable and necessary step. The term convergence has dominated media houses for years. But what does it mean and why is it crucial for the future of journalism in the region?
The digital and social media experience has disrupted the media industry in unprecedented ways. Gone are the days when media houses could solely rely on revenues generated from the sale of content, for example, newspapers. Kenya’s Standard Media Group understood the need to adapt to the ‘new digital newsroom’ and embarked on a three-year- restructuring programme, but the change is not without challenges as Peter Oduor found out
Kenya’s leading newspapers – The Nation, Star, and The Standard, recently set up paywalls on their online content. Though some readers are complaining, the uptake has been impressive. Senior editors who spoke to EAST Site’s writer, Isaac Swila, insist the paywall is the future.
What do Kenya’s post-election violence, Sudan’s protests that toppled President Omar al-Bashir, and the Arab Spring have in common? The audience played a crucial role in informing the world where journalists were restricted in one way or the other. Today, direct audience engagement in the news cycle has brought far-reaching changes to the media industry.
The belief that journalism can make the world a better place is why the Media Challenge Initiative exists. This aspiration has become more evident during Covid-19, where journalists are at the frontlines of fighting the pandemic across the globe.